All Walter Leistikow 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
44943 Away in old-Kleinmachnow in Berlin  Away in old-Kleinmachnow in Berlin   mk184 1894 water-and cover colors on watercolor paper 32.7x44.6cm
44950 Bathing boy  Bathing boy   mk184 1900 oils on Lwd 113x152cm
44952 Children people cake  Children people cake   mk184 1915 Kreidelithographie on getontem paper 24x28.7cm Bez. in the Sterin U L Mliebermann
44946 Dear island  Dear island   mk184 around 1905 oils on Lwd 120x150cm
44953 Even likeness with brush  Even likeness with brush   mk184 1913 oils on wood 72.5x60cm
44945 Evening mood at the battle lake  Evening mood at the battle lake   mk184 around 1895 water-and cover colors on watercolor paper 32.7x44.6cm
44951 Portrat Gerhart captain  Portrat Gerhart captain   mk184 1912 oils on Lwd 95.5x113cm
44947 Portrat Louis love man  Portrat Louis love man   mk184 1891 chalks 48.4x31cm
44949 Simson and Delila  Simson and Delila   mk184 1894 oils on Lwd 38.5x55cm
44948 Spitzenklopplerin  Spitzenklopplerin   mk184 1881 chalks 32.5x25.4cm
54311 Sundown at Lake Grunewald  Sundown at Lake Grunewald   mk235 1898 Oil on canvas 167x252cm
44944 The breach  The breach   mk184 around 1900 oils on Lwd 87x129cm
Walter Leistikow
1865-1908,German painter, decorative artist, etcher, exhibition organizer and writer. He studied painting briefly in 1883, at the Akademie in Berlin, but he was dismissed after six months as 'untalented'. From 1883 to 1885 he trained with the painter Hermann Eschke (1823-1900) and from 1885 to 1887 with the Norwegian painter Hans Fredrik Gude. Gude had a decisive influence on the style of Leistikow's early works, as is especially clear in Leistikow's light coastal landscapes with figures. His most significant work from this period, however, is Brickworks near Eckernferde (1887; ex-Gem?ldegal. Neue Meister, Dresden). Leistikow's dismissal from the Akademie concentrated his attention on issues of artistic policy. When the German government decided not to send works for exhibition in the Exposition Universelle in Paris in 1889, Leistikow himself organized the dispatch of works to Paris. In 1892,



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